Chivaree

Chivaree.

Chivaree

Chivaree Southern Art & Design

My gallery is open!  Here’s our ad for the June 2012 issue of the Highlands-Cashiers Laurel and the 2012 Season Program for the Highlands-Cashiers Chamber Music Festival.  Shown in the ad is the work of Winton and Rosa Eugene (pottery), Ab the Flagman (wooden eagle sculpture), Michael Hatch (glass “firewater jugs”), Mark Sillay (woodturning) and Kristi Hyde (jewelry). Shot and laid out by Gil Stose.

Chivaree Southern Art & Design is located on Hwy. 107 North just a couple hundred yards from the Cashiers Crossroads in the Cashiers Commons shopping center, next to Zoller’s Hardware.  We are open Mon- Sat, 10-5 and by appointment.  You can find us on the web(we’ll have artworks for sale soon on our website) and on Facebook.

 

Al Garnto

http://www.algarnto.com

On our way from Atlanta back to Highlands, Gil and I stopped to visit Al Garnto at his studio/home/sculpture garden in Blairsville, GA.  Al is a North Georgia mountain guy, born and bred, and he is also an alumnus of the Atlanta College of Art (now part of SCAD).  I was first introduced to him at Steve Slotin’s FolkFest by a fellow art collector, John Denton.  His specialty is outdoor sculpture, but he also does beautiful work in collage, incorporating architectural remnants from old buildings and found objects from the buildings’ environs.  They are meditations on place and memory in the rural South.

Image

A collage of the Union County (GA) Courthouse, incorporating tile discarded when the building was renovated.

another collage--Al says this one is about his dyslexia.

Al has small versions of some of his outdoor kinetic sculptures in his yard, but the biggest display of them can be found at Meeks park, just a couple miles from his house in Blairsville.  Here’s my favorite one, Country Calder.  It’s all made of reclaimed materials like barn wood and rusted sheet metal.

Al and Gil standing in front of "Country Calder," with Al's highly decorated studio in the background

He uses mostly recycled materials in his sculptures.  His latest project involves salvaging bicycles from anywhere he can find them and creating sculptures out of them.  Some of them are inspired by taxidermy:

Some are just inspired by bicycles:

More indoor sculptures:

All the plaques in the background here are probably from Al’s illustrious athletic past.  He is a former tennis pro, and he ran track at the intercollegiate level.  His studio is full of trophies.  I think he also may have been a competitive swimmer?  He and Gil were talking about swimming a lot.  How I ended up surrounded by jocks like this, I will never know.

Al Garnto sculpture Zen Piece

"This is just a Zen piece. The owner can rearrange the rocks any way he likes

I wanted to buy this little one off of him, but he wouldn’t part with it:

Al Garnto small sculpture

He did let me buy this one, to which my mom instantly took a liking, having no idea who made it or where it came from.  She just walked over to it, picked it up and said “What’s this?”  I told her Al Garnto made it and she held onto it. “It’s intriguing.”  That is always a good sign.

Here’s another little gem in his studio, a mock-up for one of his large outdoor pieces:

There.  I have maxed out on blogging.  I have about one hour before my patience for uploading photos runs out.  I am hoping to get two of Al’s big outdoor kinetic sculptures, including Country Calder, installed outside my gallery in Cashiers.  Al’s advice on dealing with the authorities on this issue: “It’s better to ask forgiveness than permission.”

Winton and Rosa Eugene

I bought a pitcher by the Eugenes a few years ago from Ted Oliver’s gallery in Hendersonville, NC.  I had never seen anything quite like it before, although it had a classic southern dark-brown alkaline glaze and a lovely, familiar pitcher form.  The handle ended in a curved flourish at the bottom.  It featured masterful incised decoration: two turtles, one on either side, both utterly charming.  And the mad genius who made this thing then went and covered the whole surface with a geometric turtle-shell motif.  I picked it up and it was light.  In short, it had everything going for it.  This turtle had me mesmerized, especially when I looked at its head.

Mesmerizing turtle head

turtle pitcher (verso)

turtle pitcher (recto)

As Ted wrapped the pitcher for me, he told me it was made by a husband-and-wife team from Cowpens, SC, who happened to be the only African-American potters he knew of who were still working in the Piedmont folk pottery tradition.

Well, the Eugenes are also going WAY beyond any Piedmont folk pottery tradition that I know of.  They are doing things with clay that are just beyond anything, ever.   I visited them in Cowpens last week to pick up work for my gallery.  My photos don’t even do their work justice, but please bear with me and try to use your imagination.

Winton throws pieces on the wheel and does all the surface decoration–detailed paintings with glazes and incised work–while Rosa, a former surgical nurse, comes up with their glaze formulas.  Rosa also makes large-scale pots by hand, using coil-forming technique.  These pots all have an organic shape to them, many suggesting a female form.  This is a coil-formed pot she made to suggest an egg:

a huge egg, coil-formed by Rosa handpainted by Winton

Here are some of Winton’s wheel-thrown vessels:

Winton does the masks too

a close-up of the second one from the left. W/ price tag.

another one of my favorite motifs- the tobacco leaf- and a matte oxidized glaze, which gives it a gorgeous patina

Winton holding a little face cup. He said this was a “drinking buddy” for people who don’t want to drink alone. Ha! He painted the mural on the wall in the background too

And here are more of Rosa’s coil-formed pots, with Winton’s surface decoration:

Winton also does paintings and drawings, and sometimes his drawings are the basis of the surface decoration on the pottery.

a detail of a drawing by Winton Eugene

the pot based on the drawing

And then Rosa sews, so she has created fiber elements for some of the works.  My absolute favorite piece in the whole place was this HUGE coil-formed vessel she made and Winton decorated, with a 4-faced doll head on top she sewed and embroidered.  The doll head had 4 different hairstyles and every face had facial features made of clay, incised and glazed…it didn’t just make my heart race like a perfect piece of pottery does, it made me go totally apoplectic.  Susan Crawley!  Please get the High Museum to buy this piece!

THE masterpiece among masterpieces

And I need to show you all 4 faces:

Did I mention that she added earrings to some of the handmade clay ears they made for the 4 faces she embroidered on the doll head she made for the pot?

Those eyes!

I have a bunch more photos, but they are uploading slowly and I need to go to bed…I think these should give you an idea of the greatness of this couple.

Tommye McClure Scanlin: Dahlonega, GA

Image

A teeny tiny handwoven Appalachian landscape.  I love these little miniatures!  I will be selling them at my gallery.

Here is one of Tommye’s larger looms with a work in progress:

Image

It’s a “stream of consciousness” piece.  The first row of squares was done entirely without a pattern or cartoon.  The second row was done based on a loose drawing that Tommye rotated as she went along.  “I started doing this after I had an impalement on my hand and I wasn’t sure if I would be able to weave again” using her usual techniques.  Wait, an impalement?  Like she impaled her hand?  Yes.  On what?  The 1″ wide metal bar on the side of this loom:

Image

Yes, THAT metal bar went completely through her hand.  The loom fell apart, collapsed, and the bar went through her hand and pinned her to the floor.  Panicked phone calls to husband and 911 followed.  Luckily, the hand healed and there was no damage to nerves or major tendons.  Jeez!  Now she is thinking of using the rows of squares she has completed as a border, and weaving a landscape from this cartoon.  The piece will be made entirely of scraps, as the first two rows have been.  The basket of scraps is pictured here with the proposed cartoon.

Image

I love Tommye’s drawings/cartoons almost as much as her weavings, and I might be offering those for sale, too.  Her pastels remind me of Bonnard, the way she uses crazy, unexpected colors, but in a naturalistic way.

Moving your art: bubble wrap debate

I would be posting up a storm if I weren’t in the middle of helping my parents move to a new house in Highlands right now.  Closing is literally tomorrow and we have bubble-wrapped a neverending parade of paintings and drawings over the last two weeks, all of which are now in my mom’s car and my boyfriend’s van because we do not trust movers to handle art.  Which brings me to today’s poll: when bubble-wrapping flat art, should the bubbles face out or in?  I said in, because otherwise all the bubbles pop when you pick something up.  My mom said out, because she says the tops of the bubbles press too hard against the surface and can damage the piece.  Vote in my poll!  And feel free to share any wisdom you have about moving art in the comments.

Why I’m here

I grew up in a folk-art-crazy family in Atlanta in the 80s, came of age on the East Coast in the 90s, and now I’m back down South–the most beautiful part of the South, if you ask me–on the Highlands-Cashiers plateau in western NC.  This spring, I’m opening a gallery dedicated to the best of what this region’s artists and artisans have to offer.  This blog is a separate project, dedicated to all the great artists of the South– not just the ones I’ll represent one day.  You are all an inspiration to me, and my goal in life is to present you to as broad an audience as possible.

I invite my readers to join me in a discussion of issues like: what makes someone’s work Southern, and why does this regional distinction matter? How do we draw the line between “fine” art and “folk” art, or between art and design, or art and craft?  Do these categories even matter–to collectors, to scholars, to the artists/artisans making the work?

Pictured in the header of my home page, from left to right: a detail from a stained-glass window by Betti Pettinati-Longinotti, “Homage to Kollwitz;” a detail from a tapestry by Tommye McClure Scanlin, “…and they will be resolved into their own roots;” detail from a blown-glass installation by Kenny Pieper, “Large Satin Gold Goblet Study;” detail from a quilt by Dot Vaughn, “Old Buttons and Birds Crazy Quilt;” and detail from a slip-and-glaze decorated stoneware vessel by Michel Bayne.

Follow

Get every new post delivered to your Inbox.